Thursday, July 2, 2009
Philadelphia dungeon purveyor of absurd/undead/pointless culture.
distributing tapes, records, cds, and cdrs from tiny bizarro/undergound/noise labels.
releases from breathmint, cephia's treat, malleable, ijustlivehere, ranky tanky, mark price is a factory, etc. etc. etc.
come get gore charm.
Wednesday, July 1, 2009
PIFAS PLACE & THE QUEUE OPENS!!!
7/12 @ 9pm
FRUIT ON THE BOTTOM (a gay club complete with Aztec ritual) @ LIV2SERV
Matt Franco from Air Conditioning
7/14 @ 9pm
Super Sargasso (wv)
Good Weather (nj)
Cars Will Burn
GRAPHS,Extreme Fishkin/Gun Muffs
PIFAS GALLERY- PICA OPENING!!!
7/18 @ 9pm
"Get Up Stand Up Comedy"
PERINEUM (a casino gamble to the death with cigarz and booze set somewhere in Africa) @ 2 LIV2SERV
7/19 @ 9
Magnet City Kids
BIRD BASH (a foam party in the back with a nude baby powder photo shoot)
Raxtsfk n' Jag
Saturday, June 27, 2009
In his book "Print is Dead: Books in Our Digital Age," Jeff Gomez writes that "In journalism, content really is king; what matters is the information. Few would argue for the aesthetic merits of an average newspaper. The cheap pulp is simply a vehicle for transporting the news and events of the day, a vessel into which is poured 'all the news that's fit to print.'"
Gomez's bold and perhaps misguided denunciation of medium aside, he inadvertently points toward the soon-to-be discarded aesthetic form of the newspaper, one thus ripe for exploration. If a newspaper is no longer good at conveying timely news, what is it good for? The PIFAS PLACE POST prods the corpse of print culture with a stick in an attempt to answer this question, presenting award-winning news coverage, comprehensive events listings, personal ads, and tasteful comic strips. "Bomb your blog to hell" and keep up on what's going down in PIFAS PLACE.
Thursday, June 25, 2009
Dream Machine 3 deploys vivid multi-phasing LED color strobes, programmed to pulse at speeds ranging beyond visual perception, within a theatrical fog theater. A structure in the visual cortex of the brain is excited by high frequency color shifting, inducing hallucinations of aura-like flowing geometric light patterns within the volume of the fog chamber. The illumination technologies of electronic signage systems amplify individual light therapy technology into a site of group hyper visual entertainment.
Tuesday, June 23, 2009
Installed behind the front windows of the Observatory, Audrey Culp’s dioramas, figure 1 and figure 2a,b, narrate the origin of life in fictional time and space. These dioramas represent the first pair in a continuing series of dioramas dedicated to the creation of new life, each work representing chronological leaps in a fictional evolution. Drawing from scientific visual languages, each object/life form within the piece is assigned behaviors, preferences, repulsions, and potentials. The full characters created for these life-units inspire a visual event that is carried out within the diorama. In this way, much of the composition is informed by the motivations and physical characteristics of the object/life forms themselves, rather than the original creator. As the series progresses, the narrative becomes more complex and the relationship between author and subject, god and his/her creation is redefined.
As you move through Observatory doors you will find Katie Miller’s proposal for a more unnatural creation of life- a biogenetic incubation tank. This large scale diorama serves as a look at one possibility for future procreation- a new genesis, where humans are not created by the miracle of natural procreation but by a biochemical process called “Invent-a-Child.” It could be the birth of a new species, the second coming with a new Adam and Eve awaiting the birth of their baby created by science and the creativity of the human mind.
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and Philadelphia International Airport,
opening this July 10th.